The truth behind advances is simple — they’re situational and the pros/cons should be heavily considered before making a decision. As alluring as they may seem, and as much of a fix as they might bring to your financial situation, the fix is short-term. Be sure to weigh the need versus the want so you’re not stuck in an even trickier financial situation in the future. If taking an advance makes sense for your situation and career, go for it!
+ Work 1:1 with a Soundfly Mentor with the Headliner’s Club, our month-long personalized learning program, and develop a plan to achieve your goals with the help of a professional musician, engineer, educator, or music industry veteran! What would you like to improve?
Vocals are the heart of almost every pop song. In fact, save for instrumental music, vocals should be the focal point of a song in any genre. Whenever listeners find themselves humming along to a song, it’s usually the top-line vocal melody they’re latching onto, so mixing that aspect of your song’s arrangement for ultimate clarity is of particular importance.
Grants for gospel music
Wait, let me back up. Actually, I did know they existed because we put one in our 2018 Holiday Gift Guide for musicians recently. But, seriously, who knew that this was actually “a thing,” and that there are literally hundreds of different coloring books out there for almost every cultural fan community? It seems today’s biggest pop stars are out there eagerly awaiting to be colored in.
Although these tape echos where popular, they were incredibly fragile and prone to breaking down often. Roland sought to solve this problem with their RE-100 tape echo units. The solid construction and its user friendly interface quickly established the Roland RE-100 as industry standard. It was reliable, robust, and ready to be taken anywhere.
Lulu has been languishing in jail, and the stage directions require a pre-recorded film to play, which begins to run in reverse halfway through the reel. The music matches this, pivoting on dense piano arpeggio that mirrors its ascent and descent:
Hailing from South Africa, Sulene is a multi-instrumentalist, artist, producer, and composer who you’ve likely seen or heard before, whether you know it or not. You may have witnessed her blue hair lighting up late-night TV when she’s toured the world as Nate Ruess of fun.’s guitarist. You’ve probably heard her music scoring your favorite Showtime drama, Al Pacino movie, or Verizon commercial. You may even know her as the rocker chick avatar shredding on Rock Band VR.
Angela Mastrogiacomo is the founder of Muddy Paw PR, where her artists have seen placement on Alternative Press, Spotify, Noisey, Substream, and more, as well as the Director of Community and Events for Music Launch Co. Her free training ‘Reaching a Wider Audience Without Spending A Dime’ helps emerging artists cut through the noise and get in front of fans and industry influencers in just a few steps. She loves baked goods, a good book, and hanging with her dog Sawyer.
Chamber music america editor
Here are seven of the most common mistakes I see young producers make when adding reverb into their mixes, and how to prevent yourself from making them.
All of these ideas are widely applicable to many genres and can carry over to other box shapes on the guitar. Try experimenting with different combinations and creating your own lines! If you want even more of a workout, try to move some of the licks into fifth position (root on the A string).
Banker: Um. Okay. Do you have any proof of income?
Here’s Dr. Ericsson again: “You have to know whether you are doing something right and, if not, how you’re going wrong.” The good news for us musicians is that practicing music has a built-in feedback mechanism — you can generally hear it when you play something wrong, even more so as you get better or if you record yourself playing. This is different from say learning a language in a vacuum where you would have no idea if your pronunciation was right or wrong.
“Practice makes perfect” is a classic cliché — it contains elements of the truth but misses the whole story by a long shot. As musicians, we’ve all experienced times when we master a new concept in seconds, and other times when we’ve been working on the same song for years with seemingly no progress. What accounts for the difference?