Tim Maryon is an Soundfly Mentor, an award-winning composer, and film scorer. He has an MA in film scoring from the Royal College of Music, and has written music for documentaries for the BBC, scored animations for BFI, and worked with major brands. His original works have been performed all over Europe. You can read more about him and hear his music here. Want to work with Tim on your project? Fill out this form to tell us about your musical goals and be sure to mention his name in your response!
I’m serious. No matter how cold it is, if you find a creek or a lake or a river (and it’s clean, of course,) jump into it. It’s good for your circulation and your immune system, and it feels like a reset.
With overwhelmingly positive results, we’re happy to share a few select testimonials of Soundfly’s Modern Mix Techniques course directly from our students.
Grants for teachers
The people of Puerto Rico have been working — the people themselves — since the moment the hurricane passed to help clear neighborhoods and roads of debris, and doing the work necessary to rebuild. They’ve been sharing and pooling resources and helping each other. If you’re able to donate, consider the options below that fund efforts which directly support the people and the process of recovery.
So, the Institute has collected and kept enormous records of French radio and television broadcast archives since since the 1960s. These archives are available online and are viewed and listened by people of all ages and walks of life every single day. The archives are currently only available online, and the majority of this collection remains unexplored.
“[This] might sound a bit subjective, but the most valuable thing I learned was how to be more sensible about the emotion that every type of chord can produce, and not only a single chord, but in the context of a chord progression by how each chord note moves to the next.”
Andrea: Maria was an excellent student and she worked so hard during the course. She asked tons of great questions on our calls and was a pleasure to work with. Probably one of the best sessions for me so far!
But here’s what’s even more exciting: When you sign up for Modern Pop Vocal Production, you’ll get 1:1 coaching and feedback from one of three expert Soundfly Mentors: The course instructor herself, Sırma; South African producer, touring multi-instrumentalist, and composer, Sulene; or podcast composer, remixer, and touring multi-instrumentalist, Martin D. Fowler.
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I was thinking about “Clair de Lune” and how strange and complicated the rhythm is. I was humming it to myself and couldn’t figure out where the downbeats were. I have previously used Ableton Live to help me learn a classical piece aurally, so I figured I would do the same thing with this one.
Jamie Ehrenfeld is the founder of CORE Music NYC, an artist services agency incubating upcoming musicians and teams committed to community engagement. She has worked as a music educator with the featured programs at Eagle Academy for Young Men and City as School.
(If you find yourself lost in all the music theory below, check out our free series of courses, Theory for Producers, and catch up on the fundamentals, even if you can’t read sheet music!)
“No Tears Left To Cry”: There’s so much tonal candy here, we had to have a whole public hearing about it when the song came out: the Kabalevsky-esque interplay between major and minor scales in the melody, the Vsus chord, and these yummy jewels-in-the-necklace add2 chords that make up the main chord-riff. It’s the add2 in the major tonic chord (I) that softens and disguises the tonal change between major and minor, by the way. The intro to this song is really two intros that use chorus material — first as is, then she slows it down from 122 to 100 BPM. Then the second intro is an odd 14 bars long, before we finally get to the verse.
The second of two articles on time management, we switch gears today to focus on workflow tips and strategies, based on the writer’s years of experience.